From the vibrant city of Seville, Spain, the brotherly duo Space Castorz have channeled over a decade of shared musical passion into a powerhouse Tech House project, blending high-energy minimalist drops, hypnotic carnival-like atmospheres, Latin influences, and deep resonant vocals that electrify dance floors worldwide and have amassed more than 250,000 plays on Spotify. Their innovative sound has landed releases on prestigious labels like 303Lovers, Techaway Records, Happy Techno, Be One Records, Cafe de Anatolia, and Delicious Recordings, with standout collaborations including the Toma EP alongside GENERATION90’S on Habitat, the Running & Aguacero de Menta EP with Alexandra Savvidi and Filizola on Cafe de Anatolia, and ‘Wimbo‘ with GEORGO that’s even pulsed through events like Burning Man; they’ve earned nods from industry heavyweights such as Mau P, DJ from Mars, Manuel de la Mare, and Lexlay, plus airplay on stations like LOS40 DANCE and SELECT RADIO. Fresh off their most recent drop, the Amour EP on Techaway Records in September 2025, these architects of transformative rhythms continue to build their global fanbase.
Now, join us as we dive deeper into their creative universe with this exclusive written interview.
Can you tell us about your childhood in Seville and how being brothers sparked your passion for music?
My brother Alfredo, the oldest, has been making music for over a decade. He was the one who first introduced me to this world. Over time, we discovered which sides of electronic music we both connected with, and honestly, I couldn’t have found a better partner than my own brother. Making music together has always been a natural extension of our bond.
How would you describe the evolution of your sound in Tech House, incorporating Latin and organic house influences?
When we first started in dance music, we tried everything—Techno, Tech House, Bass House, Afro House… You name it. Over time, we’ve focused on groovier Tech House, inspired by labels like La Pera Records and 303Lovers, while also exploring a more tribal or Afro House style. It’s about keeping the energy alive while letting our roots shine through.
What inspired the themes and energy behind your track ‘French Kiss’ on 303Lovers?
We’ve always loved Manuel De La Mare’s label, so releasing music there was a real surprise. Artists like Ángel Heredia, George Privatti, and Sunday Noise constantly inspire us, and their influence definitely shaped the playful yet powerful energy of French Kiss.
Walk us through the production process for ‘Peligrosa’, from initial ideas to the final groovy rhythms.
Peligrosa started as a clearly Latin-inspired track, and everything came together once we found the vocal that guided the entire production. We wanted rhythms full of groove, combined with Latin trumpets and a catchy bassline that would make people move. It was all about creating a hypnotic, danceable energy.
How did collaborating with GENERATION90’S on the ‘Toma EP’ for Habitat influence your creative approach?
We met GENERATION90’S through social media and really liked their music. They sent us the stems of the track—which I can’t even remember if it was already called “Toma” at the time—and we immediately loved the vocal. From there, it was a true collaboration, pushing us to explore new textures and ideas. The rest is history…
What specific production techniques, like layering sounds or using effects, do you employ to create those innovative elements in tracks like ‘Mira’?
One of my favorite VSTs is the UAD Mini Moog. In Mira, the bass stands out because it blends a Techno-like melody with Latin-inspired Tech House elements. For the tops, we layer multiple claps and a variety of percussions like congas, all framed with flutes and Latin or Criollo sounds. It’s this layering and combination that give the track its unique personality.
In ‘Running & Aguacero de Menta EP’ with Alexandra Savvidi and Filizola on Cafe De Anatolia, how did you blend organic house with your Tech House style?
Alexandra Savvidi completely won us over with her voice, and Filizola grabbed our attention with one of his releases on Inward Records. Each of us added our own touch to the project. A funny story: we wrote the lyrics ourselves and passed them to Alexandra, who doesn’t speak Spanish. Watching her learn the pronunciation so quickly and adapt it beautifully to her singing was amazing—and pretty hilarious too!
How do you navigate creative differences as brothers when producing intense tracks like those in the ‘Devil EP’?
We rarely agree on a track idea right away. Usually, my brother creates something and shows it to me, and we end up starting from scratch. The same happens when I present an idea—almost always everything gets deleted! We sit together, experiment with sounds, and sometimes one of us has to trust the other’s decisions, because otherwise we’d never finish a track.
What’s been the biggest challenge in getting your music featured on radio shows like Taiko Radio or Emrah Is Radio Show, and how have you overcome it?
Honestly, we didn’t even know about those radios at first. We’ve received support from LOS40 Dance and Select Radio, and over time, by staying consistent and improving our sound, our music started getting played in more places. Considering we’re still a small group, it’s amazing—and I can only imagine the incredible support that artists like FISHER get today.
Can you update your fans on what you have planned in the upcoming months?
In 2026, we’re taking the group in a new direction, focusing on groovy Tech House and more tribal Afro House. We’re huge fans of Hugel and his label Make the Girls Dance Records, and we won’t stop until we release music with them. We’ve also considered doing something in the style of FISHER’s label Catch & Release, because the music from that label is absolutely incredible.
Stream Amour EP:
Follow Space Castorz:
Website – Spotify – Beatport – Instagram – Apple Music – Facebook – Soundcloud – Youtube
